Forging Community… a year ago

Last March I had the privilege to attend the Austin Forging Competition at Mobile Loaves and Fishes’ Community First! Village. It was about a week before the world closed and life as I know it changed. I drove to a different town. I stayed in a hotel and ate in a restaurant. I think I even hugged people outside my family. Weird. The brief article about the competition that I wrote for Metalsmith Tech came out a few weeks ago. It’s a great reminder of what some seriously talented people can do with three hours.

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Night Air Garniture in Under Fire 3

I am very pleased to share that Night Air Garniture was selected for inclusion in Under Fire 3. The show is organized by the Enamel Guild North East and will be displayed online here from October 23rd. There will also be a panel discussion with the three jurors on October 25th at 6pm eastern time, “Whats Up With Enamels Today?” The panel includes the Under Fire 3 jurors: Ruth Ball, Mi-Sook Hur, Sienna Patti, with moderator Bella Neyman.

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Invisible Metal

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My show at the Appalachian Center for craft, Invisible Metal, is being installed right now. Through the perseverance of Director Debra Ruzinsky and Artist in Residence of Exhibitions Glenna Dame Baker, my long hoped-for installation is being realized. The show will be in the Front Gallery of the Appalachian Center for Craft from July 1 through August 15, 2020. They plan to create a video tour of the show, which I look forward to sharing as well when the time comes. Visiting hours are Monday to Saturday 10 am to 5 pm, Sunday 12 to 5. For now, be well, be safe, make art.

When Worn

Jewelry really belongs on the body. Even in isolation the implied body is part of how we read it - in anticipation of its intended location. Kelly Temple at the University of Central Oklahoma has curated a show that addresses this aspect of jewelry: “When Worn highlights the act of adornment. When placed on the body, jewelry transforms not only the appearance of its wearer, but it inserts itself between the adorned and audience as a signal and an invitation between two beings.”

When Worn includes work by Haydee Alonso, Lynn Batchelder, Teresa Faris, Betsy Lewis, Lydia Martin, Samira Saheli, Alejandra Salinas, Jolynn Santiago, Leslie Shershow, Helen Shirk, Lori Talcott, Kelly Ann Temple, Claire Webb, Petra Winnwalker and myself.

The reception will be this Thursday at the Melton Gallery from 5:30 to 7:30. The show is free and open to the public until March 26, 2020.

An image of one of my pieces on their dean.photographer Sydney Stephenson, model- Steven Hansen

An image of one of my pieces on their dean.

photographer Sydney Stephenson, model- Steven Hansen

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Materials Hard and Soft

I love this show and I am so grateful that it happens in Denton every year. Not only do my students get to see some excellent work from an international selection of makers but some years I even get to participate! One of my newer pieces, Fort Worth Trash Chute, was selected for inclusion this year. The show runs from February 7 - May 9 with a reception on the 7th from 6-9. The juror this year was Beth C. McLaughlin, Chief Curator of Exhibitions and Collections at Fuller Craft Museum in Brockton, Massachusetts. She will be giving a gallery talk on Thursday the 6th at 2:30.

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Metal Complexions

Louver: Houston is on its way to….Houston, fittingly. It was selected for inclusion in the Houston Metal Arts Guild’s Metal Complexions Exhibition. The exhibition juror was Anna Walker, Assistant Curator of Decorative Arts, Craft, and Design at the Museum of Fine Arts, Houston. The show takes place from February 2nd through the 28th at the Jung Center in Houston. In addition to an opening reception on Friday the 7th of February, from 6-9pm, there will be an exhibition Walk-through with Anna Walker on February 19, from 6:00-7:00 PM. If you are in the area I hope you will check it out!

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Westward Ho!!!

That is actually the name of the exhibition. It was curated by Gail Brown and is the companion exhibition to CraftForms 2019 at the Wayne Art Center in Wayne, Pennsylvania. It features work by a selection of artists living in Arizona, Colorado, New Mexico, Oklahoma, Texas, and Wyoming. I think it is exceptionally fitting that my contribution is Louver: Phoenix. You can learn more about both exhibitions here.

Louver: Phoenixcopper, vitreous enamel8 x 14 x .5”

Louver: Phoenix

copper, vitreous enamel

8 x 14 x .5”

Westward Ho! Evite Image

Texas Metals Symposium

I am honored to be one of the speakers at the Texas Metals Symposium this year. Rob Glover and his students always do a great job and it has been such a pleasure to attend in past years as a viewer. Getting to present is super-exciting! It will also be the final stop of the “Not-So-Lone-Star Studios: A Gathering of Texas Makers” exhibition artfully curated by Natalie Macellaio and Kathleen Janvier. This is your last chance to see the grouping before the pieces all go to their respective homes. The symposium is FREE but you need to register, which I recommend you do right now because they have filled up in the past. See you there!

PEWTER: not just for tableware

I was really excited to be invited to participate in a Wearable Pewter exhibition. It is a material I have always wanted to work with but, as with so many things, I needed a purpose and a deadline to make it happen. Enter Teresa Faris and James Thurman and the Wearable Pewter exhibition. Its going to be at City Soles in Chicago during the 2019 SNAG conference, then it will travel to Ayse Taki Galerisi in Istanbul, Turkey and Alliages in Lille, France. In addition to myself, it includes work by David Clemmons, Umut Demirgüç Thurman, Dan DiCaprio, Teresa Faris, Frankie Flood, Kyle Patnaude, Juan, Riusech, Michael Rybicki, Donna Sweigart, James Thurman and Jennifer Wells. I hope you will join us for the reception on Thursday during SNAG’s Gallery Crawl from 5-8.

WEARABLE PEWTER EXHIBITION POSTCARD

WEARABLE PEWTER EXHIBITION POSTCARD

Pendulous (necklace)

Pendulous (necklace)

Pendulous (necklace) detail

Pendulous (necklace) detail


Circling Back: An Exhibition

The event of a move often brings re-discoveries. When the Metalsmithing and Jewelry program at the University of North Texas moved into new facilities last summer, we found all kinds of things hiding in obscure storage areas. Among them was a box of my work from my years as an undergraduate student. I was simultaneously delighted by the find, confounded by what now seems like poor craftsmanship, and led to compare that work to what I have been doing lately. While my skills have changed, much of of the imagery and formal language that I am drawn to has not.

This prompted my interest in inviting a group of mid-career makers to exhibit one newer work paired with something they had made more than ten years previously. I hoped to provide them with an opportunity for the same moment of  reflection that I had in being reunited with a box of dubious treasures from the past.

I would like to thank all the artists who agreed to participate in the exhibition. Mounting of the physical exhibition was supported with a UNT Small Grant and my travel to the conference received assistance from the College of Visual Arts and Design at the University of North Texas. I would particularly like to thank my Chair, Lauren Lake, for looking under all the couch cushions.

Circling Back was organized in response to the Society of North American Goldsmith's call for proposals for the Adorned Spaces segment of the 2019 conference. It will be taking place in Chicago, Illinois from May 23rd through the 24th at the Palmer House Hilton with a reception from 5-8pm on Friday the 24th. The theme of the conference is "The Loop: Coming Full Circle. 50 Years of SNAG."

The website for this exhibition will remain active through April 2020.

Best of 2019

Two of my bollard necklaces will be touring with the Ohio Designer Craftsman’s Best of 2019 exhibition this summer. London Bollard and Viennese Hydrant and Bollards will be in the exhibition that is opening this Sunday May 5th at the Ohio Craft Museum and then moving to the Springfield Museum of Art on September 20th.

London Bollard

London Bollard

Viennese Hydrant and Bollards

Viennese Hydrant and Bollards

College Art Association Talk

I am so excited to be going to New York next week to speak at the College Art Association conference! I will take part in the session, Wish You Were Here: The Souvenir as Emblem of Regional Identity. If you are in the neighborhood, please stop by! My panel was put together by Christopher J. Moore of Concordia University and Isabel Prochner of Syracuse University. It will take place Wednesday the 13th at 10:30 am at the New York Hilton Midtown - 2nd Floor - Nassau East. I will be presenting my body of work, You Are (the) Here and its relationship to cultural geography, personal identity, and the souvenir.

Photo by Chenli Ye

Photo by Chenli Ye



Looking Forward

I am very pleased to announce that I will be a speaker at Looking Forward: a contemporary blacksmithing and metal design symposium at Bryn Athyn College this coming summer. The organizers have put together a great lineup of artists/blacksmiths/designers and those who study their works. The symposium will take place from June 14 to 16, 2019. Its a great opportunity to have a conversation about the futures of metalworking. Please spread the word!

You Are (the) Here at Brookline Arts Center

I have a little solo show going up next week at the Brookline Arts Center in Brookline, Massachusetts, from November 9-December 21. If you are in the area I hope you will stop by. I am really excited about the cast resin replicas of my own torso that I made to “wear” the work in the exhibition.

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