Natalie Macellaio and Kathleen Janvier have put together a beautiful exhibition of works by Texas Metalsmiths. I count myself quite lucky to be among them and am looking forward to the reception on Friday, September 14th from 6-8. Hope to see you there!
Check out this month's Metalsmith Magazine for my review of Ezra Shale's "The Shape of Craft"
I am super-excited to have been invited back to the Dallas Museum of Art for a gallery talk and show-and-tell! You will find me at 6:30 on Friday July 20th in the Power of Gold exhibition talking about some of the processes used. Then join me on the main concourse from 8-10 while I do a little chasing and answer questions from aspiring silversmiths!
Tomorrow I am heading to Maryland for two very exciting opportunities!
Leslie D. Boyd of the Metalsmithing and Jewelry Area at Towson University is being so gracious as to host met for a talk excerpted from my History of Crafts Class, entitled "Foundations of the Studio Craft Movement." It will take place Thursday May 3rd at 6:30 in the Art Lecture Hall at the Center for the Arts.
I am pleased to be exhibiting at the Delaplaine Arts Center in Frederick, Maryland, from May 5 through June 24. If you are in the area, stop by and say 'hi' on the 5th. The reception is from 3-5pm.
Big thanks to Umut and James Thurman for organizing a multi-generational exhibition of mentors and students affiliated with our the University of North Texas Metalsmithing and Jewelry Program now on view at UNT on the Square. The Lineages exhibition will be up through March 19th and is documented in a print-on-demand catalog available here.
I am sending these yummy little vent brooches to the Midwest for the winter along with some of the larger one-of-a-kind wearables. They are less than 2" square with laser-etched powder coating and some hand painting. You can check them out at Ombré Gallery in Cincinnati.
I am exceedingly pleased to announce that my application to be included in the Fulbright Specialist Roster has been approved! I am now now eligible to be matched with projects designed by host institutions in over 150 countries globally. My Roster tenure officially begins on December 1, 2017 and will end on December 1, 2020. Now I need to find (or be found by) a project that requires a candidate with my professional and academic credentials. The program works with the following kinds of host institutions:
- Institutions of Higher Education
- Government Institutions (ministries or agencies, courts, parliamentary or congressional bodies)
- Cultural Institutions (conservatories, museums, etc.)
- Medical Institutions (public health organizations, teaching hospitals, etc.)
- Non-Governmental Organizations including non-partisan, issue-centered institutions and think tanks
If you know someone in an institution of this type who might be interested in utilizing my skills please spread the word.
The Jodee Harris Gallery at Seton Hill is currently hosting the "Shelter" exhibition, a sibling exhibition to the "Shelter: Crafting a Safe Home" exhibition at the Contemporary Craft Center in Pittsburgh. My piece, aptly named Shelter, is one of many in the exhibition. If you are in the Greensburg, Pennsylvania area I hope you will check it out!
I will be exhibiting a wide variety of work at the University of Texas at San Antonio's Terminal 136 Gallery from August 31st through September 16th with a public "lunch and lecture" at the Southwest School of Art on Saturday September 16th at 12:30.
For more information about the exhibition please contact Laura Crist 210.458.4391
For more information about the talk please contact Jillian Sortore 210.200.8254
I had the most wonderful time in California! I was honored to be invited to be a "Radical Enameling" Workshop provider by the visionary Center for Enamel Arts. I taught a class on making kilns out of trash cans and the creation of vessels with sewn copper foil. The workshop was entitled "Quick and Dirty." My class happened at the same time as the delightful Kristina Glick's flux oxidation class at the Crucible Studio in Oakland. The Crucible is a temple to all things fire related, from jewelry and blacksmithing to hot glass and fire dancing. (Crucible Photos by Gail Reid)
Following the three day class and with the benevolent guidance of Judy Stone I had access to the large enameling kilns at KVO Industries. Steve Vandyke was wonderful about granting access and myself and another artist had the place almost to ourselves for three days. This made it possible to work larger than I had ever done in enamel and with new materials such as their oil-based liquids, typically used for silkscreening, but with which I painted. This opportunity was also made possible by a UNT Scholarly and Creative Activity Award. I already cannot wait to go back!
It was a true honor to speak at the Society of North American Goldsmiths conference in New Orleans with Cappy Counard and Jaydan Moore. I have enjoyed meeting new people at the conference and seeing a lot of great work. Perhaps the best part of all was getting to share this remarkable experience with so many UNT students, friends and alumni.
I will be leading a Radical Enameling workshop sponsored by the Center for Enamel Arts July 5-7 at the Crucible in Oakland, California. Join me as we make torch-fired kilns from trash cans and whip up some vessels with copper foil and wire. These processes promise fast and furious fun for those willing to embrace serendipity.
I will be one of many voices available for portfolio reviews at the upcoming SNAG conference in New Orleans and am really looking forward to seeing new work by creative individuals.
Wednesday, May 24th
3:00p – 6:00p
8th Floor, Endymion, Mid City, and Proteus
The Portfolio Review is for emerging artists, students or anyone in need of critical feedback. Gallery representatives, curators, artists, professors, entrepreneurs, and other professionals in the field will be available by appointment to review portfolios and provide professional advice and guidance. The goal of the Portfolio Review is to create an opportunity to meet and hear from seasoned artists and professionals that can help in the development and advancement of artistic careers.
More information and signup can be found here.
I was very pleased to be invited to participate in an exhibit as part of a representational group of Arrowmont School of Arts and Crafts faculty. Makers from a variety of media who have taught workshops at the venerable craft school have work on display until May 21 at the Folk Art Center in Asheville, North Carolina. This is also the home of the Southern Highland Craft Guild and is located on the Blue Ridge Parkway. Its an educational and retail center set amidst one of the most scenic drives in the southeast so I feel quite privileged to be included. Although I will not be able to see the installation in person, Kelly Hider, of the Arrowmont Gallery and this show's mastermind, was kind enough to send images. There was even a nice write-up in the Mountain Press.
Erin Anfinson, Christina Boy, Béatrice Coron, Heather Mae Erickson, Kenyon Hanson, Ana Lisa Hedstrom, Bryant Holsenbeck, Mi Sook Hur, Kristin LeVier, Ana Lopez, Harvey Meyer, Angela Piehl, Liz Zlot Summerfield, Jen Swearington, Kimberly Winkle.
The Clay Fiber Paper Glass Metal Wood (all media) show at the Octagon Center for the Arts is in its 49th year and I am pleased that one of my pieces is participating. The title itself is a bit of a time capsule, back to half a century ago when craft media was rarely mixed and the postwar studio movement was just starting to organize within media-specific groups.
It was an honor to have had a piece chosen and then it was a whole other thing to figure out how to ship the Versailles Gate Ring! I ended up making a display fixture that would also hold it during shipping. And chastising myself (not for the first time) for designing work without considering gravity or display challenges.
I am very pleased to be having an exhibition with my colleague Harlan Butt. It opens this Saturday and we are both giving talks on Sunday. The crew there have been super nice and I love the advertisements they made.
This broach is inspired by a the cover from a wastewater access point that I passed on the road every day in Vienna on my way to the museums. The main element is made of 30 gauge fine silver so it is a lot lighter than it looks. It also required much research and development to get the die forming to turn out the way I wanted it. This will be in my show with Harlan Butt at the Georgetown Art Center in August. Thanks is due to Paul Cauthen and Tammy Nguyen who were student apprentices and had some part in its making.
All the luxury and impracticality of the Ancien Regime, at your fingertips!
4.75 x 5 x 1.5"
Sterling silver with 22K gold overlay
Thanks to apprentices Kirsten Kulland, Anna Aparicio and Tammy Nguyen who all helped make it happen.